Leeway exhibition installation view, Versus Art Project, photo by: Barış Özçetin.

 

Huo Rf’s Untitled sculpture series, made of mostly clay, are notably shaped like hearts. Strewn around the gallery, the iconic form is captured in various states: resting atop a bed, riddled with nails, but always frozen and grotesque. Those hearts represent the artist’s empathetic response to the terrifying events mostly led by state-led actions, exclusion, and always regarding the lives of minorities. The heart—an image reduced to a sentimental symbol in the positivist era in which it glamorizes the mind—appears in Huo Rf’s practice as a powerful tool to channel his sensitivity towards the pain of others. Empathy, a moving force in the artist’s production, provides him with a discussion field of following those powerful feelings and thoughts in lieu of remaining in a passive stage, as well as enabling him to share them with the audience, which might empower those who feel similarly.

Zehra Begüm Kışla

Leeway exhibition installation view, Versus Art Project, photo by: Barış Özçetin.

‘Untitled IV’, 2015, heart scuplture air drying clay and wood pens, paint. Photo: Chroma

‘Untitled II’, 2015, Plush fabric 32 x 32 cm and air drying clay sculpture, paint. Photo: Chroma

‘Untitled VII’, 2015, heart scuplture air drying clay and land grap, paint. Photo: Chroma

‘Untitled V’, 2015, heart scuplture air drying clay, paint, model tree, model bed. Photo: Barış Özçetin

Leeway exhibition installation view, Versus Art Project, photo by: Barış Özçetin.